NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

I get asked questions about Guam History all the time.  Almost every day I give an interview to someone who is doing a paper about Guam or Chamoru history, whether it be for middle school, high school or college.  Or it may be someone doing research for a documentary, a TV show, a newspaper or a book.  It could be just someone wanting to know more about their roots.  Or just someone visiting with questions that are bothering them about the contemporary or historical landscape of their temporary home or tourist visit.  Normally I know the answers, or I know where the answers are. Or I know that we don't know the answers. But there are some questions which I'm not quite sure how to answer. It may be because of how they are phrased, often times because whoever is asking the question may be assuming something that isn't in history or in reality, or isn't connected to what is in the facts or the historical data, and so sometimes I can be at a loss as to how to make a...

  In June of last year, the Marianas lost one of its most influential musical pioneers with the passing of Tun Candido “Candy” Babauta Taman. Over the years, I had the honor and privilege of working with Tun Candy on several projects, conduct interviews of him and sometimes just sit and chat and listen to him tell stories. Each year, I usually got a call from him in late November or December, checking in with me and letting me know how he is doing. If he had some of his music or CDs to sell, he would also let me know that they would make great Christmas gifts. When he called in late 2022, I eagerly bought a copy of everything he was selling and gave them as gifts to different friends. Tun Candy was born to a CHamoru mother from Sumay, Guam and a Carolinian father from Saipan with roots in Chuuk. Across his life he worked to promote and develop a Marianas musical sound as well as cultural consciousness. Because of the way his roots, his heritage represented ...

What does it mean to live in a place called the “tip of America’s spear?” This is something that Guam has been called frequently in recent decades, whether by politicians, military commanders or think tanks. It is a nickname defined by the strategic value of Guam to the United States. If one imagines the US as a warrior facing Asia, there are a long line of bases that extend west across the Pacific, almost like the shaft of a long weapon. Guam, as the westernmost US base, is like the tip. Something brandished against potential threats on the continent. Because of Guam’s location and its military value, we who call it home are used to both wars and rumors of wars. In recent years there has been increasing tension in the region between the United States and its potential rivals, whether it be Russia, North Korea and China. As such, Guam appears in news reports, in strategic studies and in the speeches of admirals as something that the US will use against others or as something that m...

A student from my Zoom Chamoru classes recently asked me for some suggestions for some Chamoru sayings or words of wisdom that she could use for a speech she had to give for a friend's wedding.  I get this type of request pretty frequently and so over the years I have a number of lists of ways to say "I Love You" in Chamoru. For years that was one of the my most visited pages on this blog, a simple page that had more than a dozen different ways to say "Hu Guaiya Hao" ranging from the poetic and deep, to the silly and sexy.  When I looked at many of those lists, I realized that the majority of the ways love was expressed, was indeed written in Chamoru, but not necessarily rooted in Chamoru. What I mean by this, is that alot of the sayings were simply translated from English or variants of ways that love would be expressed in English.  For me, I am definitely in support of these sorts of things, I love having our language adapt and take on new forms, especially wh...

In my life I have attended a number of events, whether in person or virtually, where representatives were gathered in solidarity from each of the current US territories. But in these spaces, there was usually just a single representative from different territories, owing to the distances or difficulties in physically bringing together people Guam, the CNMI, the US Virgin Islands, Puerto Rico and American Samoa. One thing that made the recent Right to Democracy summit different for me, was the amount of people in attendance representing each of the territories, and how each community wasn’t reduced to a single voice, a single soundbite or a short presentation. The experiences of those in the current US territories was not on the fringes or the margins, which is the norm, but instead we were all centered. This summit focused on developing a network across the territories, with the aim of helping to dismantle US colonialism, created a lot more possibilities than usual and that was exc...

Every week I host the podcast Fanachu. In the past my role was something in the background with others such as Manny Cruz, Lawrence "Siguenzama" Lizama or Albert Toves and Hannah Rebadullah taking the lead.  Since the pandemic, I've been the primary producer and host for Fanachu, and it has been tough at times trying to put out an episode kada simåna, with so many other things constantly going on in my life. I've been grateful for a handful of other creators who have come along to help produce content for Fanachu and give me some breathing rooms some weeks.  Recently Monaeka Flores from Prutehi Litekyan and Independent Guåhan has been great in terms of hosting and helping organize guests related to current protest movements on Guam. I'm excited that next year Tori Manley, a young up and coming Chamoru activist with Replenish Earth will be taking on regular episodes.  One of the most consistent people in the past two years in terms of helping produce content is Ann...

  Earlier this month, Siñot Kin "JC" Concepcion, who was an inspirational elder to me, but also a good friend passed away. I have spent the days since his passing reflecting on his impact on me and on the wider Chamoru/Guam community over the course of his life. The first time I really remember meeting and talking to Siñot Kin "JC" Concepcion was in 2014 when his family was pushing for the legalization of medical marijuana on Guam in honor of his son, the singer Savage K. The family had asked if I could sponsor a film screening at the University of Guam as part of their community campaign and I was very happy to do so. The love and loss he felt for his son who had died the year prior was powerful and manifest then and it remained so in all the time I knew him. For the next few years, I would regularly see Siñot Kin at KUAM, where he was sometimes interviewing me and sometimes producing others. I was thankful for what he was doing in terms of continuing to pr...

When we think of the past in terms of Chamoru history, we tend to simplify and flatten it. I am not immune from this, even when lecturing or teaching about Chamoru history, I have caught myself doing it as well. For instance, when we look at the ancient past we often times ignore references to castes or classes in Chamoru society prior to colonization by Europeans.  For me, I don't believe that the representations offers by the early Jesuit missionaries are particularly accurate in terms of describing Chamoru power dynamics.  But there was definitely divisions in society, but it is so tempting to simple ignore them and act as if all were united prior to Magellan.  A similar phenomena exists in relation to the pre-World War II era.  It is very tempting to see that time through the lens of nostalgia and simplicity, as an epoch prior to the complicated times of today. With so many of our elders telling stories of no crime, unlocked doors, close knit families, everyone h...

  When I first listened to this song more than 20 years ago, gi hinasso-ku gof na'chalek, lao ti hu komprende i tinahdong-ña gi kostumbren Chamoru. I was not aware when I first listened and translated to it, how much deeper the meaning is beyond the silly things described in the lyrics.   This song "Aye na Påtgon" from Johnny Sablan's album "My Marianas" describes a father taking his son to the ranch to try to teach him some basic life skills.  But for everything that he tells his son to do, his son does something different and sometimes nonsensically, as well as all around gago'.   For instance he tells his son to boil the papaya and the coconut and instead his son goes to pick berries.   He tells his son to go collect firewood but he doesn't actually come back until all the cooking is done.  The lyrics are silly and more about sounding fun or funny than actually depicting something real. But when I was younger I never connected this song to...