NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

  On February 1 st , 2014, 12 years ago, a group of activists, cultural practitioners, scholars, students and artists, through groups such as Our Islands are Sacred and Hinasso organized an event called "Lukao Fuha." It was a pilgrimage, a special walk from Humåtak Bay to Laso' Fouha or Fouha Rock, that was meant to symbolize for Chamorus, walking in the ceremonial footsteps of our ancestors in a variety of ways. Firstly, Fouha Rock is thought to symbolize an important part of the Chamoru creation story, as it represents the body of Fu'una, who with her brother (whose body is the land itself) gave up their forms and their energy to create the Chamoru people and our islands. Secondly, early Spanish accounts discuss that the largest gatherings for ancient Chamorus in the 16th and 17th centuries took place around a large rock, and part of these gatherings was the retelling of the creation stories and other legends that went back connecting centuries and generations of st...

It is a joyous point in every Chamoru child’s life when you discover this yellow flower, which has a name that will make you giggle endlessly, tåke’ biha, which translates to old woman’s poop.    I remember seeing them growing near my grandparents house in Mangilao when I was young, but not knowing what they were called.    Lao fihu taiguini gi dumångkolo'-hu, ti meggai tininingo'-hu put trongko yan tinanom siha, pi'ot tiningo' put siha gi Fino' Chamoru.     It wasn’t til I was 20 years old and actively learning Chamoru that my grandmother told me what they were called. I broke out laughing and so did she.    I am reminded of this recently for a few reasons. Firstly, the first year I started teaching my Zoom Chamoru classes, I had transitioned from offering them in coffee shops on Guam to largely students who had grown up in Guam who were attending in person, to now hundreds of students attending, most of whom had never really lived in Guam o...

   Maila guinaiyå-ku Achokka’ chatangmak Sa’ esta mumamaigo’ i neni siha Pega i ilu-mu gi pecho-ku Ya bai hu chiku i gaputilu-mu   Maila guinaiyå-ku Achokka’ mumamaigo’ yu’ Na’suha i alunan siha Maila hålom gi guinife-hu Ya un toktok yu’   Maila guinaiyå-ku Achokka’ bula hulu yan låmlam Gi puengi Åsson gi fi’on-hu gi katre-ta Ya bai hu nginge’ i tiyån-mu

  Put si nanå-hu biha, i puti'on gi langhet-hu, i anghet-hu para i kotturå-ta yan i lengguahi-ta.        Put si nanå-hu, i pilan gi langhet-hu, un chalåni yu' sa' achokka' guaha na biahi echong yan matahlek yu' gi chalån-hu todu tiempo un pupulan yu'.        Put i guinaiyå-ku, un na'kabåles i korason-hu yan i familia-ku. Hu agradedesi i guinaiyå-mu yan i sinapotte-mu mås kada diha gi este karerå-ta.      Magof Ha'ånen Mannånu nu hamyo na tres ya hamyo todos ni' mannåna.

If you are looking for articles, essays, poems, and other random things written in Chamoru, about a wide variety of topics, then you should definitely check out "I Sakman i Fino'-ta." It was started in 2022 by Benny Anderson as a means of promoting Chamoru language and writing. Anyone can submit for the website, which is filled at this point with hundreds of short pieces written in Chamoru. The inspiration for the name is that the website is a vessel for the language in the same way the såkman was a vessel for the Chamoru people the past, using it to travel and transport. If we continue to use our language on a daily basis and pass it on to the next generation, it will continue to evolve and grow as we grow. It will stay with us on this journey. The published pieces come from active, current learners of Chamoru, first language speakers of Chamoru and second language learners of Chamoru. They are free to write about whatever they are interested in. You will find plenty of ...

  Humånao si Lulai (si Chuguangguang) para i Fangga’ga’an San Diego para i primet na biahi gi nigapña. Gof ya-ña!     Manli’e’ familian hiarafa (giraffe) minetras manmamomokkat yan mamboboka. Gof annakko' i aga'ga'-ñiha!   Manli’e’ gago’ na hippo, umåsso gi inai. Ilek-ña si Lulai, “ayu na yommok na crocodile!” Hu admimite na ti meggai tiningo’-ña i neni put i dos.   Manli’e’ katdumen meerkats taiguihi ginen i mubi i Rai Leon (Lion King). Gigon ha hungok na gaige si Timon i atungo’ Simba, inalululala lumi’e’. Gof dångkolo’ i chinalek-ña anai hu kantåyi gui’ “Dångkolo’ i daggån-ña” gi i tunadan “Hakuna Matata.”     Manli’e’ yan este i mas ya-ña un elefånte, i na’ån-ña si Shaba.    Gof dångkolo’ yan makalelu i elefånte! Ilek-ña si Lulai, “Anakko i gui’eng-ña!” Hu sangåni gui’, hunggan, adahi sa’ kada umachem kalang un kañon. Pangpang! Anai ha hungok este, ha tåmpe i talanga'-ña, gof kinute!   Gi todu, un gefpågo yan didide’ manengheng na ta...

  Trumitriste i pilan Sumåsahi gi sasahnge na inina   Manånanges i puti’on I kandet-ñiha manmilalak påpa’ Mana’abak gi hinanao-ñiha para i tano’ Manenekkon i flores   Ma tatitiyi papa’ i lipes hinemhom para i puengi Manu’u’u i petlas-ñiha para i lago’-ñiha   Todu i mundo gi oriyå-hu kumeketu Nina’keketu nu i minanengheng   I minanengheng humuyong sa’ chago’go’ i minaipe, taigue i guaifen i guinaiya-ku guini gi este na tåno’   Sa’ este i primet na puengi-ku guini sin hågu

  In June of last year, the Marianas lost one of its most influential musical pioneers with the passing of Tun Candido “Candy” Babauta Taman. Over the years, I had the honor and privilege of working with Tun Candy on several projects, conduct interviews of him and sometimes just sit and chat and listen to him tell stories. Each year, I usually got a call from him in late November or December, checking in with me and letting me know how he is doing. If he had some of his music or CDs to sell, he would also let me know that they would make great Christmas gifts. When he called in late 2022, I eagerly bought a copy of everything he was selling and gave them as gifts to different friends. Tun Candy was born to a CHamoru mother from Sumay, Guam and a Carolinian father from Saipan with roots in Chuuk. Across his life he worked to promote and develop a Marianas musical sound as well as cultural consciousness. Because of the way his roots, his heritage represented ...

Typhoon Mawar was the first major typhoon for all of my children. My two older children who are in their teens, had experienced Typhoon Mangkhut in 2018 and Typhoon Dolphin in 2015. Both of these typhoons were damaging to Guam, but not in the same way that Mawar was last month. For my two smaller children, Lulai and Makåhna, this was their first typhoon of any type. And what a first typhoon it was for both of them. Lulai who will be turning 2 in a few months and Makåhna who wasn’t yet 3 weeks old when the storm hit. I am grateful that we weathered the typhoon well, no major injuries other than diaper and heat rashes. Two weeks later we still didn't have electricity and our cellphone service and data remains intermittent. But thankfully we had water albeit low at times, throughout. My partner Desiree and I have both been through major typhoons, with catastrophic destruction and disruption. Mawar was our first as parents. Looking back, it was a dramatically different expe...

  The grandmother of my partner Desiree, Tan Agnes Duenas Perez (familian Pepero) passed away last month at the age of 92. Her youngest great-grandchild is our daughter Lulai, born just last year. I am so thankful that they got to meet before her passing. I am also glad that I have was able to spend some time with her and listen to her stories. She was just 11 years old when the Japanese invaded Guam. She was the eldest of her siblings and helped care for them during this traumatic time. From her auntie Tan Amanda Guzman Shelton, a pioneering Chamoru nurse she learned some basic skills for helping the sick and the elderly. Soon after the war she married musician Josephat Mauro Perez and began to raise a large family. She spent time in those immediate postwar years helping to start the network of community centers and programs for manåmko’. Her family would become prominent in the village of To’to’ and well known for their musical talents. Tan Agnes had 12 chi...

My time with Lulai Lumuhu is filled with dancing and singing. Desiree always said that she would pay attention to my voice while she was in the womb. When she heard others, like Sumåhi and Akli'e' she would kick and move. But when I was speaking to her she would stop and listen. Ti siguguro yu' esta på'go, kao este kumekeilekña na ya-ña i bos-hu pat ti ya-ña i bos-hu. Kao ha respepeta yu', pat kao inespåpanta? I try as much as possible to sing Chamoru songs to her, knowing that she'll hear English and other songs from just about everywhere else, she'll be hearing Chamoru from me. The song that soothes her the most is "I Puti'on." Akli'e' and I do a nice duet of the song for her to help calm her when she is cranky. Over the years I've collected several dozen Chamoru children's songs from before World War II, many of which are fragments. Songs then were different then the way we think about them now. People took tunes they liked a...

After almost 13 hours of labor, I am excited beyond words to introduce all of you to Lulai Lumuhu Perez Bevacqua. Lulai means to fish on the reef by the moonlight. Lumuhu is an ancient Chamoru month, it was documented to mean “the time to return” or “to resume one’s path.” Desiree moved back to Guam last year to reconnect with her island and learn Chamoru. This name holds special significance, since her return home allowed us to meet. Perez is from Desiree’s family and is “Familian Boño.” She's also Familian Pepero as well. Bevacqua is my family and although we have roots elsewhere as well, we are from the Kabesa and Bittot families of Guam. Lulai has one of those matan bihu mångnge faces, that make you feel torn between pinching them to vent out the magoddai or take her hand and sniff it “manginge’” style to show her respect. She looks like fresh new life, paopaopao yan pao'neni lokkue' and also looks like my grandfather at the same time. Sen magof ham på’go ya in agradede...

Kada diha mamomokkat yu’ gi este na tåno’ Nina’homhom ni’ malamaña na halomtåno’ Bula trongko guini, lao labula triniste Labula chinatpågo, labula pinadesi   Sesso sinekkai yu’ ni todu este Kulang råmas, kalaktos kånnai Ginen i mantaklalu na trongko siha   Tåya’ deskånsa, tåya’ fanliheng’an   Lao kada diha anai tumunok ta’lo i atdao Ya mahuchom i ha’åni Linemlem yu’ ni oriyå-hu Sa’ kada nai i tai’ase na somnak Ha dingu i tano’ Ha na’lå’la’la’ lokkue’ i flores gi hatdin-mu   Ya ginen i hinemhom na halomtåno’ Hu tattitiyi ayu Esta ki humuyong yu’ Gi halom i hatdin-mu Bula flores Mannina’dokko’ nu i puti’on siha gi hilo’-hu   Ya guihi lokkue’ guaha såddok Ya i hanom-ña kulang bino Ya kada hu galamok, nina’malulok yu’ Ya nina’maigo’ yu’ lokkue’ Gi mañaña yan maipeñaihon na chå’guan