NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

In his uneven, albeit interesting book "The Fire and the Tale (2017)," Italian political theorist Giorgio Agamben provides an anecdote from the history of Judaism that struck an chord for me in terms of debates over Chamoru authenticity in culture, the issue of contemporary Chamoru cultural dance, and our relationship to our past. Here is the anecdote, which is the source of the title for this book on aesthetics.  “When Baal Schem, the founder of Hasidism, had a difficult task before him, he would go to a certain place in the woods, light a fire and meditate in prayer; and what he had set out to perform was done. When a generation later, the Maggid of Meseritz was faced with the same task, he would go to the same place in the woods, and say: “We can no longer light a fire, but we can pray.” And everything happened according to his will. When another generation had passed, Rabbi Moshe Leib of Sassov was faced with the same task, and he would to the same place in t

Every week I get at least one request for an interview, several requests each week for information related to Guam history or the Chamoru language. Sometimes the requests can become a bit much, as I'm not able to get back to everyone. And sometimes I've responded to people close to a year later (ai lokkue'). But if I had more time I would respond to everyone I could, since the knowledge that I have or have access to, is useless unless there are ways it can get out to others.  After I gave a guest lecture in an English rhetoric class last year, one of the students contacted me asking for some help on understanding Hagåtña and its contemporary and historical place in Guam. I appreciated her wanting to know more about a village that most everyone takes for granted nowadays on Guam. So I wrote up responses to her 8 questions. Here they are below. ******************** 1. What makes Hagatna unique from other villages?  What makes Hagåtña unique is that because