NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

I have for several years now been collecting plåkan Chamoru or Chamoru vinyl albums.  Each week I scour the internet searching for records I haven't seen or heard yet.  Every few months I'm able to find a new one to fill in the gaps in my collection.  I have over the past few years been able to find four copies of this album "Dalai Nene" released by Johnny Sablan in 1968. This was the first ever Chamoru language music album and was released when Johnny Sablan was just 20 years old.  I have collected four in all, one for each of my kids (three are already here, one more is a few months out from when I am typing this).  Each will inherit one of them when I pass away.  This album is historic in so many ways, but one thing for me makes it even more unique and special, namely its use of Chamoru for its text.  There are hundreds of Chamoru albums that have been released on vinyl, cassette and CDs. And while all used Chamoru as the primary language for their ...

 One thing that I enjoy about being a researcher is that I get to search for things and come across things that others may not have the time, resources or privileges to find.  But the question is, what do you do with all of these things that you are able to gather? That was always a things that bothered me being part of academia. Is that so much of what I spent time working on was to be funneled into particular forums or formats, where it may not reach many people (scholars included). I remember talking to a Chamoru who has been at a university in the states for many years now about this issue. He in his time in archives across the US and the Pacific, had collected so much incredible research from Chamoru history.  He maintained that he was serving his islands back home and the Chamoru people in general by publishing his work into books and articles. I can understand that, but I had to be honest and remind him that I've never met an actual person back home who has read yo...

My personal metric for determining candidates who get my vote boils down to these three things: 1. Do they speak Chamorro? 2. Are they supportive of Chamorro language, culture and rights? 3. Do they support decolonization and are they open to considering independence as a political status for Guam? This election there are fewer Chamorro speakers than ever, especially at the senatorial level. But that's why I was grateful that so many candidates ( such as those in these images) were willing to participate in a Chamorro language forum where they used the Chamorro language in their responses even if it was difficult for them. I've also been impressed with the number of candidates who are expressing an openness to decolonization and the possibilities of Guam becoming independent. Biba Ha'anen Botasion! Biba Chamorro! Biba Guåhan!

The exhibit I worked on for the Guam Humanities Council titled Sindalu: Chamorro Journey Stories in the US Military is currently on display at the Isla Center for the Arts at UOG. As part of the exhibit I've given several scholarly tours to students, teachers and veterans. Although the exhibit itself features so many stories, the interaction with these groups often yields even more stories. Sometimes people will find themselves or their ancestors in the photos. They will offer up another perspective or another facet of someone's anecdote. Sometimes they challenge things and sometimes they express their gratefulness that an exhibit like this has been put together. I teach many aspects of the exhibit in my own classes, but I have appreciated the way the research and writing for the exhibit and then the way I have developed my talk for the tours has led me to really think about the progression of Chamorros and their relationship to the United States, through their military servi...