NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

This Saturday, September 20th, Independent Guåhan will be holding a Teach-In at Senator Angel Santos Memorial Latte Stone Park from 2 - 4 pm titled "From Hurao to Fanohge: 350 Years of Chamoru Resistance." This event is free and open to anyone. The title comes from two key events in understanding Chamoru history and resistance to colonialism in its different forms across time.   In September 1670/1671, Maga’låhi Hurao who had been gathering families who were frustrated with the new Spanish presence in the Marianas and forming a coalition to oppose their interference, was arrested by Spanish soldiers and taken prisoner in the church. Hurao's speech is meant to be an example of the rhetoric that he was using that was inspiring so many families to come forth and offer their spears and slingstones in support of his cause.   An estimated 2,000 warriors surrounded the church, which had been hastily transformed into a fort, to demand his release and the surrender of the ...

This month, Lulai, my third oldest started her first year attending the Maga'låhen Hurao Charter School.  She had begun attending the Hurao Tiempon Somnak over the summer, but now this month has begun attending the Hurao school in earnest and Desiree and I are excited to say the least.  It has just been a few weeks, and so far guaha na biahi ya-ña, guaha na biahi ti ya-ña.  Every day she both enjoys attending school but is also struggling with separation anxiety saying "Ma'å'ñao yu' yan mahålang yu' para si nanå-hu yan si La'yak" (I'm afraid and I miss my mom and La'yak). Lulai's older siblings, Sumåhi and Akli'e' attended Hurao on and off in different forms over the years, sometimes the summer programs, sometimes the after school programs, and later even helping as aides.        All of this was across more then 10 years, yet Hurao wasn't to the point yet where it was an immersion or charter school in earnest.    After taking pi...

This month Filamore Palomo Alcon, artist, art teacher and owner of the Guam Gallery of Art at the Chamoru Village and an uncle of my through the Lujan extended clan network, passed away. He had been struggling with health issues for some time and his gallery was closed by some of his friends earlier this year after being open for almost three decades. For this reason, he had become less active in recent years as an artist and promoter of local arts, but it is painful is still painful to imagine that someone who was such a fixture in the Guam art scene and so influential in the movement develop Chamoru artistic consciousness has left us. When my grandfather, Tun Jack Lujan had a blacksmith shop at the Chamoru Village, the Fil’s gallery was a regular stop for me or for grandpa to check in with Fil on art, on Chamoru Village business, on cultural politics on island. Sometimes I would go visit him while grandpa would watch the shop and sometimes, I would go visit him while grandpa stayed...

  Lulai continues to speak more and more Chamoru about more and more things.    In her third year, I've been  encouraging her more and more to start responding in Chamoru by playing games, providing commentary in Chamoru to movies or videos she was watching on YouTube, telling stories in Chamoru, reading books.    At first most of her Chamoru was blooming in the areas where I was prompting it.    I would say "nihi ta hugåndo este" and she would start speaking Chamoru in response to the idea that Chamoru has to be used for the game we are about to play.    But in the last week, and in particular since her younger sister has arrived, she has started to use Chamoru more and more organically and unprompted, telling stories in Chamoru that she starts herself and even creating her own games in Chamoru that she now invites me to play.   To give you a good example of the language growth in her, take this character, Lotso from the film Toy S...

 I recently worked on a few different research projects assisting scholars and news teams who were conducting research on the Chamoru-Japanese families in Guam.   Some of these projects focused on the waves of Japanese migration and how Japanese people were integrated or treated by the Spanish or American colonial administrations. Others focused on the Chamoru families that blended with the Japanese migrants and their experiences. Some of this interest was spurred by the publication last year of a book by Master of Chamoru Culture for Playwrighting Peter Onedera "A Borrowed Land."  I remember first encountering the sometimes complicated nature of their history, especially when it came to Guam's World War II period, when I was a young graduate student, just starting to do my oral history research. I was in Micronesian Studies at the University of Guam, traveling around, usually with my grandmother, visiting her friends and relatives, practicing my Chamoru, but also as...

  Put si nanå-hu biha, i puti'on gi langhet-hu, i anghet-hu para i kotturå-ta yan i lengguahi-ta.        Put si nanå-hu, i pilan gi langhet-hu, un chalåni yu' sa' achokka' guaha na biahi echong yan matahlek yu' gi chalån-hu todu tiempo un pupulan yu'.        Put i guinaiyå-ku, un na'kabåles i korason-hu yan i familia-ku. Hu agradedesi i guinaiyå-mu yan i sinapotte-mu mås kada diha gi este karerå-ta.      Magof Ha'ånen Mannånu nu hamyo na tres ya hamyo todos ni' mannåna.