NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

Since I began working at the Guam Museum, repatriation of human remains, of artifacts, or cultural materials, has gone from being something that was just on a list of things that indigenous people struggle with in general, to something that is literally part of my job description.  For those unfamiliar with the term, since it can be used in different contexts, repatriation as I'm thinking of it here means the return of cultural properties, ancestral remains to their countries, their peoples, usually from museums, universities or other institutions. As the curation for the Guam Museum, part of what I do deal with seeking possibilities for repatriation of Chamoru artifacts and ancestral remains. Whether they have been taken away a few years ago or decades ago for research or some other reason.  (Rematriation is something I'll have to get into on another post. Less discussed, but critically important as we see the returning of artifacts, as less the end of a process, but an impor...

One of the most exciting gifts that I received last year, right in time for Christmas was from longtime singer and musician Joe Taimanglo. He sent me a box filled with Chamoru music lyrics books and tapes, since as the curator for the Guam Museum I am always interested in collecting, preserving and then educating about things from our past, but also as the producer for the Fanachu podcast, we've been digitizing and collecting Chamoru music for several years now. To date we've uploaded more than 400 songs to the Fanachu YouTube page .  I've had Siñot Taimanglo on the Fanachu podcast twice as a guest where he has been such a wealth of information on the history of contemporary Chamoru music. He keeps lists of Chamoru musicians, sometimes shares Chamoru music on his social media, still performs, and also writes posts remembering Chamoru and Guam-based musicians who have passed away.    Sumåhi filmed and edited a video of me unboxing this special box from Siñot Joe, filled wi...