NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

  When I first listened to this song more than 20 years ago, gi hinasso-ku gof na'chalek, lao ti hu komprende i tinahdong-ña gi kostumbren Chamoru. I was not aware when I first listened and translated to it, how much deeper the meaning is beyond the silly things described in the lyrics.   This song "Aye na Påtgon" from Johnny Sablan's album "My Marianas" describes a father taking his son to the ranch to try to teach him some basic life skills.  But for everything that he tells his son to do, his son does something different and sometimes nonsensically, as well as all around gago'.   For instance he tells his son to boil the papaya and the coconut and instead his son goes to pick berries.   He tells his son to go collect firewood but he doesn't actually come back until all the cooking is done.  The lyrics are silly and more about sounding fun or funny than actually depicting something real. But when I was younger I never connected this song to...

Sunidu Pasifika was formed prior to the 12th Festival of Pacific Arts (FESTPAC) held in Guam in 2016 to help teach the making and playing of the belembaotuyan to future generations. The group performed as part of the two-week festivities, including a rendition of “Fanohge CHamoru.”    Sunidu Pasifika was led by Delores Taitano Quinata, who was the last apprentice of Master of CHamoru Culture for the belembaotuyan, Jesus Crisostomo. She was assisted by musicians Ruby Santos and Jesse Bais, as well as her husband Joe Quinata from the Guam Preservation Trust.    Many of the members of Sunidu Pasifika were CHamoru language and culture teachers in Guam’s public schools, who learned how to make and play the belembaotuyan with the hopes of bringing this knowledge into their classrooms.   I look forward to hearing more of the belembaotuyan around the island, especially in schools. I wish some younger Chamoru musicians would take the sound and auto-tune it or find ways t...

I came across this protest sign in the archives of the Nieves Flores Guam Public Library in Hagåtña, while doing research on Guam's two previous Constitutional Conventions (1969-70 and 1977). Written in Chamoru, it translates to "I don't want the constitution."   A few months ago for Fanchu! I spoke to former Senator Hope Cristobal who was part of the campaign to defeat the draft constitution in 1979. The notable figures who organized against the constitution include Robert Underwood, Marilyn Manibusan, the late Tony Leon Guerrero, the late Tan Clotilde Gould, Rosa Palomo, and the late Dr. Benit Dungca. As Underwood writes in his wonderful article "Dies Mitt: The Origin and End of Chamrro Self-Determination," the constitutional opponents "coalesced around the billboard “Munga ma’apreba i konstetusion ya ta mantieni i derecho-ta komo taotao Guam. Bota NO!” In English, this read “do no approve the constitution and maintain our rights as the people of Guam...

  For the past 10 weeks, I've been writing columns for the Pacific Daily News providing historical context for the 1946 protest of US Navy Radioman George Tweed by more than a 100 Chamorus. Today marked my last column on the series. Although I did get a great deal more hate messages and a hateful comments during this series, I still greatly enjoyed writing these pieces. George Tweed was such an incredibly important symbol for Chamorus during the Japanese occupation. For me as a historian it is fascinating to think about how, just two years after the end of that occupation, more than a 100 Chamorus felt compelled to make signs and protest him when he returned to island. They didn't do this in the dead of night, but in the middle of the Plaza de España in front of the leadership of the US Navy on Guam. As I wrote in this last column, it was a multitude of things that compelled Chamorus to take this act, but many of them weren't about Tweed himself. Chamorus were frustrated th...

The newest book by International Human Rights Attorney Julian Aguon will be released later this month. It is already available for pre-order on Amazon.com, and has already sold several thousand copies there. This is an important moment for Julian in terms of him writing and publishing a book like this, at this level where it has national and international reach. It is also important for Guam and UOG Press which is publishing it, since this can help them capitalize on their massive local and regional success over the past few years and help them reach a variety of new markets and audiences.  Julian published three prior books, but they were published locally and by very small presses with limited runs and limited exposure. Below is an interview with Julian when he published his first book "Just Left of the Setting Sun" in 2005. I recently re-read two of his previous books in preparation for the newest one. It was interesting to also come across this interview with him 15 years...

The Fanohge Coalition formed earlier this year in part as a way of continuing the energy that was captured during last year's Fanohge: March for CHamoru Self-Determination. So far the group has written letters to elected leaders, organized forums and is planning to also send out a candidate survey this month. The Fanohge Coalition is made up of 37 different groups, and represents a wide swatch of Guam society. There are political status task forces, non-profits, small businesses and cultural organizations. Some are more conservative, some are more progressive. All are united however by the idea that the Chamoru people deserve to be treated with dignity in their own land and part of that is protecting their right to self-determination. Another unifying aspect to the coalition is the belief that Guam's political status should be changed to something more equitable. The coalition isn't untied by any particular options, but believes that a new status where Guam and its communit...

For those wanting to learn more Chamoru or practice their Chamoru reading, the most prolific writer in the Chamoru language remains playwright and language teacher Pedro Onedera. He has written books, poetic collections, numerous plays and regularly publishes a column in the Pacific Daily News, which is written in Chamoru with an English translation. For those at the beginning of their Chamoru learning journey, his writings might be too difficult or complex. But for those who are already at the intermediate level of learning, they are a great way to push yourself in the language and really try to engulf yourself in a Chamoru narrative or series of argumentative points.  Here is his most recent column from this week talking about håyi i gayu-ña gi i botasion guini giya Guåhan guini na såkkan.  ************************ Ti bai hu bota engkåmen yan hagas hagas by Pedro Onedera Pacific Daily News August 5, 2020 På’go na simåna na ma tutuhon i sanhal...

Despite the social distancing lockdown and remote work for my office over the past month, it has been difficult to find the mental brain space needed to write regularly. I mean this in terms of creative writing, but also political writing. So much of my brain space has been taken up by worrying about so many different things, I've found it hard at times to focus or give myself the space to take on the many other writing projects I have waiting for me. Thankfully I have been able to work through some of the thoughts I have on the COVID-19 pandemic and Guam's political status in my weekly column for the  Pacific Daily News. This hasn't gotten me many new fans, in fact the columns that I published for three weeks at the start of the lockdown phase have been some of my most hated since I started writing for the newspaper a few years ago. I won't get into way people seem to take particularly gleeful hate in my columns lately, but I felt compelled to share them here. Afte...

For each Inacha'igen Fino' CHamoru, the Chamorro Studies and Chamoru language faculty at UOG collect or produce a handful of creative and expressive texts in the language. These texts are used as part of the competition for these categories, Lalai (chant), Rinisådan Po'ema ( poetry recitation) and Tinaitai Koru (choral reading). Students have to memorize and then recite or perform these either as individuals or as a group. For the longest time, there wasn't a lot produced creatively in the Chamoru language. Most of it could be found in terms of music, as Chamorus were making songs, releasing albums and performing. Much of the publication and promotion of Chamoru could be found in the church, but little of it was creative. Much of it was translations of things written elsewhere in the Catholic universe and localized to Guam. In this way, the church preserved words and meanings in Chamoru, it helped teach and propagate the language, but it wasn't a venue for Chamoru...