NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

My time with Lulai Lumuhu is filled with dancing and singing. Desiree always said that she would pay attention to my voice while she was in the womb. When she heard others, like Sumåhi and Akli'e' she would kick and move. But when I was speaking to her she would stop and listen. Ti siguguro yu' esta på'go, kao este kumekeilekña na ya-ña i bos-hu pat ti ya-ña i bos-hu. Kao ha respepeta yu', pat kao inespåpanta? I try as much as possible to sing Chamoru songs to her, knowing that she'll hear English and other songs from just about everywhere else, she'll be hearing Chamoru from me. The song that soothes her the most is "I Puti'on." Akli'e' and I do a nice duet of the song for her to help calm her when she is cranky. Over the years I've collected several dozen Chamoru children's songs from before World War II, many of which are fragments. Songs then were different then the way we think about them now. People took tunes they liked a

After finishing up an online  lecture  series last week for the Guam Museum and the cultural diasporic group Håle' Para Agupa', one of the attendees in zoom asked me where I get all this information from, is it in books, are there movies or documentaries. I responded that there are a fair amount of books out there and some documentaries, especially if you are looking for World War II history in Guam. There are many more books out there than in the past, and what is nice is that more of them are written by Chamorus or at least people who have ties to Guam, but who may not be ethnically Chamoru.  I do my best to read whatever I can out there that is connected to Guam, to the Marianas and to Chamoru issues in anyway, and this doesn't only mean things formally published. I enjoy going through documents, archives, newspaper and magazine articles, transcripts from interviews that others have conducted. But one great source of information for me over the years has been interviews