NO REST FOR THE AWAKE - MINAGAHET CHAMORRO

If you are looking for articles, essays, poems, and other random things written in Chamoru, about a wide variety of topics, then you should definitely check out "I Sakman i Fino'-ta." It was started in 2022 by Benny Anderson as a means of promoting Chamoru language and writing. Anyone can submit for the website, which is filled at this point with hundreds of short pieces written in Chamoru. The inspiration for the name is that the website is a vessel for the language in the same way the såkman was a vessel for the Chamoru people the past, using it to travel and transport. If we continue to use our language on a daily basis and pass it on to the next generation, it will continue to evolve and grow as we grow. It will stay with us on this journey. The published pieces come from active, current learners of Chamoru, first language speakers of Chamoru and second language learners of Chamoru. They are free to write about whatever they are interested in. You will find plenty of ...

English is my mother tongue, in the sense that it is the language that I grew up with and speak most comfortably. It is my first language. It is however not my favorite language, not the best language and certainly not i mas takhilo' para Guahu. I am a non-native speaker of the Chamoru language as I learned to speak it when I was 20 years old. It is natural for me in some ways, but still unnatural in others, primarily when talking about things that are difficult in general to express in a Chamoru lexicon. This is not only something that I struggle with, but as the Chamoru language has become more and more limited in how and where it is used, many people find themselves constantly switching to English since a potential part of their conversation is something few people have actually used the Chamoru language to convey. What makes speaking, thinking and writing easier is if the topic fits easily within some existing framework or lexicon for carrying meaning. If that framework...

Since I began working at the Guam Museum, repatriation of human remains, of artifacts, or cultural materials, has gone from being something that was just on a list of things that indigenous people struggle with in general, to something that is literally part of my job description.  For those unfamiliar with the term, since it can be used in different contexts, repatriation as I'm thinking of it here means the return of cultural properties, ancestral remains to their countries, their peoples, usually from museums, universities or other institutions. As the curation for the Guam Museum, part of what I do deal with seeking possibilities for repatriation of Chamoru artifacts and ancestral remains. Whether they have been taken away a few years ago or decades ago for research or some other reason.  (Rematriation is something I'll have to get into on another post. Less discussed, but critically important as we see the returning of artifacts, as less the end of a process, but an impor...

One of the most exciting gifts that I received last year, right in time for Christmas was from longtime singer and musician Joe Taimanglo. He sent me a box filled with Chamoru music lyrics books and tapes, since as the curator for the Guam Museum I am always interested in collecting, preserving and then educating about things from our past, but also as the producer for the Fanachu podcast, we've been digitizing and collecting Chamoru music for several years now. To date we've uploaded more than 400 songs to the Fanachu YouTube page .  I've had Siñot Taimanglo on the Fanachu podcast twice as a guest where he has been such a wealth of information on the history of contemporary Chamoru music. He keeps lists of Chamoru musicians, sometimes shares Chamoru music on his social media, still performs, and also writes posts remembering Chamoru and Guam-based musicians who have passed away.    Sumåhi filmed and edited a video of me unboxing this special box from Siñot Joe, filled wi...

After my third child Lulai was born in 2021, I had a month of paternity leave from working at the Guam Museum.  During this time, I would usually take Lulai at night for around four or five hours, to give her mother Desiree a chance to sleep or relax or do anything undisturbed for a while.  I would sing to her, rock her, hold her while she slept. It gave me time to think, to reflect, to watch things, to read. One of the things that I thought alot about at the time was Chamoru music and its future.  I never really made the jump to digital music platforms like Spotify, but I do listen to music on YouTube.  While I would be watching Lulai I would want to sing to her different Chamoru songs and I would look for them on YouTube and not be able to find the songs. I was frustrated because I had the songs on tapes or on CDs or on vinyl records, but my hands were full with a child, or the physical copies were packed away in boxes in storage somewhere and it would take forever...

In October I traveled to Hawai'i for a few days to attend the Hawai'i International Film Festival and moderate a panel featuring filmmakers from Guam, Hawai'i, and the US Virgin Islands. While I was in Oahu, I also had the chance to stop by and visit two bookstores, Native Books in Chinatown and Da Shop in Kaimuki and drop off Chamoru language educational and creative materials from The Guam Bus.    The Guam Bus has been around for 9 years at this point. We first started back in 2015 by publishing our bilingual Chamoru children’s book “Sumåhi and the Karabao” and the comic “Makåhna.” As of today, as we near our 10th anniversary, we have published four bilingual children’s books, three sets of flash cards, 3 comic books, a coloring book, and a Chamoru language bingo game! We mainly sell through our website and also at local fairs and bazaars, but recently we’ve also started to sell our products in local stores such as Faith Bookstore, The Local Shop, Rexall Drugs, It Takes a...